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If you wish to create a batch capture list but do not want to type the In and Out points of all clips, you can use Premiere s capture window to do the job for you. Here are the steps: 1. Open the Batch Capture window by choosing File Capture Batch Capture. 2. Open the Capture window by choosing File Capture Movie Capture. 3. Click the Logging tab and enter the Reel Name. 4. Use the Device Control buttons to locate the portion of the tape that includes the section you want to capture. Then click the Set In button. The In point appears in the In field in the Logging tab. 5. Use the Device Control buttons to locate to the Out point of the clip that you want to capture and then click the Set Out button. The Out point appears in the Out field in the Logging tab. 6. Click the Login/Out button and enter a filename for the clip (unless you wish to use the default name provided). If desired, enter comments in dialog box, then click OK. 7. For every clip you wish to capture, repeat the last three steps. 8. At this point, you can close the Capture window and Activate the Batch Capture window. 9. The In point and Out points are transferred to the Batch Capture window. To start the recording process, click the Record button in the Batch Capture window.

You can now finish it with the fourth image; the one difference here is that the final image does not fade out as the others did. 13. To incorporate the fourth image into the movie, follow these steps: On Layer 4, frame 60, create a keyframe. Drag IMG_04 onto the stage and position at X: 240 pixels, Y: 0 pixels. Convert the image to a movie clip symbol called fourth_image and set the Alpha to 10%. Create a keyframe on frame 80 with the Alpha at 100%; add a motion tween. With all of your images properly placed, you can save the page and preview it properly. 14. Choose File u Save to store the file and then choose Control u Test Movie. To prevent the automatic looping, choose Control u Loop. Close the movie window when you re done. Now you can get a full sense of the rhythm and flow of your animated intro (Figure 7-13). Next, you add some text to present site title.

Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

n Document informs Photoshop of what the starting color profile is for the document. In this case, it s sRGB color. Be sure this button is checked. n Color Handling tells Photoshop whether you want it to handle color management or if the printer will be taking care of color. Always let Photoshop manage the color unless you re using RIP software with your printer. Photoshop is much smarter than most printers when it comes to color management. (This setting is one of the big three that people often get wrong.)

The IT team may be implementing technology for its own sake, perceiving software or hardware solutions to be silver bullets, without much attention to the context in which they will be used. The intentions might be great, but the risk is that users will not embrace the new miracle application. Training, policy, and rewards might not be aligned to empower or even encourage folks to use it. This would be an awkward (but likely) time for the top executives to scrutinize return on investment (ROI) figures for the year s IT projects.

l(f)

FIGURE 28-19

The Radius is defined by the thickness of the edges in your image. The Radius setting simply determines what thickness those edges will be. Although the radius can be adjusted anywhere from .1 to 250, any number higher than 2 or 3 will result in an image that is very high in contrast. This is also affected by the Amount settings, of course. The ideal Radius setting for any given document can be determined based on the resolution of the document; the higher the resolution, the higher the Radius setting should be. The resolution of most video files is 72 ppi, a very small resolution. For a 72 ppi video file, the ideal Radius setting is .5. As an image becomes higher in quality, you can set the Radius slightly higher by dividing the resolution of the image by 150. That gives you a Radius setting of 1 for a 150 ppi image, 2 for a 300 ppi image, and so on.

The Adaptive Degradation process may turn off materials automatically if your graphics card is not certified. You can turn the display of materials on manually by using the 3DCONFIG command. For more information, see Appendix A.